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	<title>Comments on: The Five Things You Need To Know Aboot The Canadian Movie Industry</title>
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	<description>Taking Back Aboot One Eh At A Time</description>
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		<title>By: Canadians Invented Hollywood: What You Need To Know Aboot Canada&#8217;s Movie Industry &#8212; Part Two: A New Hope &#171; &#8230;cultural snafu.</title>
		<link>http://culturalsnafu.wordpress.com/2007/01/29/five-things-aboot-canadian-movies/#comment-2370</link>
		<dc:creator>Canadians Invented Hollywood: What You Need To Know Aboot Canada&#8217;s Movie Industry &#8212; Part Two: A New Hope &#171; &#8230;cultural snafu.</dc:creator>
		<pubDate>Thu, 28 Jun 2007 16:27:18 +0000</pubDate>
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		<description>[...] [Part One: A Talking Beaver &amp; A Jesus Alien] [...]</description>
		<content:encoded><![CDATA[<p>[...] [Part One: A Talking Beaver &amp; A Jesus Alien] [...]</p>
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		<title>By: Six Canadian Movies You Need To See That Don't Suck -- Part Two: Phil The Alien &#171; &#8230;cultural snafu.</title>
		<link>http://culturalsnafu.wordpress.com/2007/01/29/five-things-aboot-canadian-movies/#comment-1583</link>
		<dc:creator>Six Canadian Movies You Need To See That Don't Suck -- Part Two: Phil The Alien &#171; &#8230;cultural snafu.</dc:creator>
		<pubDate>Thu, 31 May 2007 03:20:28 +0000</pubDate>
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		<description>[...] &#8220;And who doesn&#8217;t love Candy?&#8221;&#8230; asked the clinically depressed hunter. &#8220;My parents.&#8221; replied the prostitute. &#8220;Phil The Alien&#8221; is a perfect example of why the Canadian movie system sucks. Phil The Alien has an excellent cast, first time director Rob Stefaniuk does a great job with his zero budget, and he has written one of the funniest pure-Canadian humour movies ever put on screen. But there are two problems with Phil The Alien&#8230; 1) the pre-production budget. Stefaniuk had to take the main role because he couldn&#8217;t afford a leading actor. Very few Canadian movies can raise enough money during pre-production to sustain a movie through to the end. So Rob became &#8220;Phil&#8221; and a stuffed toy became &#8220;The Beaver&#8221;, Phil&#8217;s best friend. The two special effects were not bad in an Apple iMovie kind of way, but the &#8220;ray-guns&#8221; were toys. Literally. 2) the distribution. English-speaking Canadian movies are not distributed to English-speaking Canadian theatres so much as left at their door where they may be picked up and adopted by a kindhearted manager who may play the movie for a few days but, really, he has so many better paying movies which have all sorts of pre-production money and who can afford to have their characters carrying real guns with real blanks and not cap-guns. If you want to learn more aboot why Canada&#8217;s movie industry mostly sucks I wrote all aboot this a while back in: Five Essential Facts Aboot Canadian Movies. [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8220;And who doesn&#8217;t love Candy?&#8221;&#8230; asked the clinically depressed hunter. &#8220;My parents.&#8221; replied the prostitute. &#8220;Phil The Alien&#8221; is a perfect example of why the Canadian movie system sucks. Phil The Alien has an excellent cast, first time director Rob Stefaniuk does a great job with his zero budget, and he has written one of the funniest pure-Canadian humour movies ever put on screen. But there are two problems with Phil The Alien&#8230; 1) the pre-production budget. Stefaniuk had to take the main role because he couldn&#8217;t afford a leading actor. Very few Canadian movies can raise enough money during pre-production to sustain a movie through to the end. So Rob became &#8220;Phil&#8221; and a stuffed toy became &#8220;The Beaver&#8221;, Phil&#8217;s best friend. The two special effects were not bad in an Apple iMovie kind of way, but the &#8220;ray-guns&#8221; were toys. Literally. 2) the distribution. English-speaking Canadian movies are not distributed to English-speaking Canadian theatres so much as left at their door where they may be picked up and adopted by a kindhearted manager who may play the movie for a few days but, really, he has so many better paying movies which have all sorts of pre-production money and who can afford to have their characters carrying real guns with real blanks and not cap-guns. If you want to learn more aboot why Canada&#8217;s movie industry mostly sucks I wrote all aboot this a while back in: Five Essential Facts Aboot Canadian Movies. [...]</p>
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		<title>By: Six Canadian Movies You Need To See That Don't Suck -- Part Three: Heavy Metal &#171; &#8230;cultural snafu.</title>
		<link>http://culturalsnafu.wordpress.com/2007/01/29/five-things-aboot-canadian-movies/#comment-1555</link>
		<dc:creator>Six Canadian Movies You Need To See That Don't Suck -- Part Three: Heavy Metal &#171; &#8230;cultural snafu.</dc:creator>
		<pubDate>Wed, 30 May 2007 05:53:27 +0000</pubDate>
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		<description>[...] other country except America. But even that&#8217;s not specific to Canadian animators, Canadian filmmakers &#8212; regardless of genre &#8212; are sucked into Hollywood as through Hollywood were a fifty [...]</description>
		<content:encoded><![CDATA[<p>[...] other country except America. But even that&#8217;s not specific to Canadian animators, Canadian filmmakers &#8212; regardless of genre &#8212; are sucked into Hollywood as through Hollywood were a fifty [...]</p>
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